Fourth International Sarabianov Congress of Art Historians
1—2 December 2020
Russian Art Studies amid European Schools: Intellectual History
and Migration of Ideas
Fourth International Sarabianov Congress of Art Historians
Special Project of The Fourth Congress
Global, International and National in the History of Art
Hans Belting
“In Russia there had been no national school”: interviewed by Sarabianov Congress organizers
Boris Groys
A View of Art History after Its End
Béatrice Joyeux-Prunel
The Time Discordance of Art Globalization [in] a[r]t Work[s]
David Summers
Open-ended multiplicity of histories of art
Schedule
The speakers whose names are highlighted will contribute to the conference by correspondence (the texts and video recordings of their reports will be available at the website of the congress before it opens)
December 1, 2020
Moscow time
Registration of the participants at 10:30
Congress opening ceremony at 10:45
10:45–11:00
Welcome addresses of SIAS Director Natalia Sipovskaya and congress organizers ▶
Session 1:
Chair – Natalia Sipovskaya
11:00–11:20
Massimo Bernabo
A tribute to Russian studies on Byzantine art:
from the Archeological Institute in Constantinople to Viktor Lazarev ▶
11:20–11:50
Francesco Lovino
With a little help from my friend. Bernard Berenson and Seminarium Kondakovianum ▶
Ivan Foletti
Kondakov’s Legacy: Seminarium Kondakovianum and the Interwar Czechoslovakia
Valentino Pace
Xenia and her Uncle Pavel Muratov (as the Author of Pittura bizantina) ▶
11:40–11:50
Q&A ▶
Session 2:
Chair – Anastasia Loseva
12:00–12:20
Ada Raev
Olga Bazancourt and Gender Discourse of the 1900s – 1910s ▶
12:20–12:40
Lucia Tonini
Ugo Ojetti’s View of Russian Art of 1910 ▶
12:50–13:00
Q&A ▶
Break until 14:45
Registration starts at 14:45
Afternoon session starts at 15:00
Session 3:
Chair – Ilia Doronchenkov
15:00–15:20
Patrick Flack
With and Without Russia: A Contrasted Look at the Projects of Literary and Art Sciences (1910–1930) ▶
15:20–15:40
Nikolai Plotnikov
Art as Knowledge and Language. On the History of Konrad Fiedler’s Reception in Russia ▶
15:50–16:10
Ondřej Sládek
Structural Poetics in Motion: Jan Mukařovský and Roman Jakobson ▶
16:10–16:30
Nadezhda Podzemskaya
The Concept of “Art Sciences” as Seen
by D.S. Nedovich and A.G. Gabrichevsky and Its Origins in Kandinsky and Simmel ▶
16:30–16:50
Jan Zacharias
Ioffé and the Russian Culturology Influences of the Vienna School of Art History
16.30–16:40
Q&A ▶
Session 4:
Chair – Nataliya Zlydneva
17:00–17:20
Nikolai Molok
From Le Corbusier to Ledoux: D. Arkin reads E. Kaufmann ▶
17:20–17:40
Vadim Bass
Ginzburg and Western Art Studies & Professional Architectural Tradition ▶
Stepan Vaneyan
The Middle in the Wraps: N. Brunov’s Architectural Theory – German Roots, Soviet Shoots and Antique Fruits
17:40–18:00
Q&A ▶
December 2, 2020
Registration of the participants at 10:45
Morning session starts at 11:00
Session 1:
Chair – Nikolay Plotnikov
11:00–11:20
Georg Witte
The Emotional Impact of Art: Theoretical and Empirical Aesthetics around 1920 ▶
11:00–11:20
Anatoly Rykov
Soviet Art Studies, or the Flowers of Evil. From Cultural Primitivism to Intellectual Corruption ▶
11:40–12:00
Marina Dmitrieva
Iconological Method in Soviet Art Studies: Critique or Attempt at Dialogue? ▶
12:00–12:20
Marina Toropygina / Marina Lopukhova
Warburg, Method and We ▶
12.20–12:30
Q&A ▶
Session 2:
Chair – Marina Dmitrieva
12:30–12:50
Silvia Burini
Juri Lotman’s Semiotics of Culture and Art History ▶
12:50–13:10
Nataliya Zlydneva
Contribution of the Tartu-Moscow Semiotic School to Russian Art Studies: The Concept of Border/Frontier ▶
13:10–13:30
Matteo Bertele / Tomáš Glanc
Cybertheatre Abroad. The Reception of the Art Practice by Lev Nusberg and Dvizhenie Artist Collective in Divided Europe (1964–1980) ▶
13:30–14:00
Jorge Lozano & Miguel Martín
When the Semiotics of Culture dialogues with History
14:00–14:10
Q&A ▶
Break until 14:45
Registration starts at 14:45
Afternoon session starts at 15:00
Session 3:
Chair – Ekaterina Bobrinskaya
15:00–15:20
Stepan Vaneyan
V. Grashchenkov and the History of Art: Problems of Appropriating World Science ▶
15:20–15:40
Ekaterina Viazova
“From Levitsky to Larionov”. Methodological Approaches of Gleb Pospelov to the Study of Russian Art ▶
15:40–16:00
Kirill Svetlyakov
The Cult of Heinrich Wölfflin and German Formalism in Soviet Art Studies and Its Consequences for Official Art of the Stagnation Period ▶
Alexei Lidov
Academician Dmitri Sarabianov and Russian Art Studies in World Context
Nina Gurianova
Is There a Dmitri Sarabianov School?
Irina Karasik
Grigory Sternin: “Art Life” as Subject of Study and Methodological Innovation
SESSION 4:
Chair – Ekaterina Viazova
Ilya Doronchenkov
Wladimir Weidle: Between Art and Science ▶
16:10–16:30
Rachel Zemlinskaya
Russian Renaissance Tyrants (in concepts of I.I. Ioffe, D.S. Likhachev and Y.S. Lurye) ▶
16:30–16:50
Olga Nazarova
Italian Renaissance Art through the Prism of Soviet Art Studies ▶
16:50–17:10
Olga Subbotina
15th-Century German Book Design: Russian Studies within European Context ▶
© SIAS, 2020
© International Sarabianov Congress of Art Historians, 2020
The Congress is funded with a grant of the President of the Russian Federation for the support of creative projects of nationwide importance in the field of culture and art